Complete Cheerful Cherub, by Rebecca McCann (1932)

cheerfulcherubThe first time I saw a copy of a Cheerful Cherub book was in an enormous antique mall that seemed to have swallowed my wife, leaving me to seek some meager distraction in the tiny handful of books that could be found there. As hours dragged on and I found myself beginning to think, “Hmm … Taylor Caldwell. Maybe I should try one of hers,” I finally picked up what I had taken to be the world’s oldest and fattest “Love Is” book.

My mistake was understandable. There is a certain similarity between the cartoon style of Kim Casali (creator of “Love Is …”) and Rebecca McCann (creator of the Cheerful Cherub). Both feature nude but genital-free homonculi with infantile bodies but engaging in adult activities. Both refine cuteness to near-lethal intensity. Casali always shows a male and a female character (we can tell only by the hair and eyelashes). McCann always showed an infant neither male nor female and an adoring little puppy.

If you were me, you’d probably have stopped reading already.

But stay with me, people.

Because as I took more time to read through that Cheerful Cherub book, I began to realize that Rebecca McCann’s little cartoons operated on a level of sophistication and yes, even wisdom, far beyond that of the “Love Is …” pieces.

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Take “Masks” (above). “And yet sometimes I see/A prisoner behind their eyes.” That’s not “Love Is …” or “Family Circle”–that’s the existential attitude in four lines of iambic pentameter. Or “Innocence,” which could easily be read as a damning commentary on the detachment with which we view events going on in the world around us. “Oh, the dreadful business in Gaza. Well, nothing to do with me.”

Rebecca McCann began publishing Cheerful Cherub cartoons in the Chicago Evening Post around 1917, when she was just twenty, after editor Julian Mason took an interest in the little drawings and verses that dropped out of McCann’s portfolio as she tried to show him more serious work. The feature was soon picked up for syndication, and at its peak appeared in over 100 papers around the United States.

McCann also continued to work as an illustrator for magazine stories and wrote a childrens’ book, About Annabel (1922), about the fantastic adventures of a little girl–a slightly milder version of Windsor McCay’s “Little Nemo.” The first collection of Cheerful Cherub cartoons was published by Covici-McGee in 1923, and a second in 1927.

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Meanwhile, McCann’s personal life was a series of disasters. She moved to New York City in late 1917, where she met, fell in love with and married Harold “Jimmie” Watson, an Army pilot, five days before he shipped out to France. Although he made it through the war, he died in an accident not long after. On the rebound, she married another officer, this time in the Naval Medical Corps, but the marriage soon ran into problems and the couple divorced. Around 1924, she met the novelist Harvey Fergusson (whose 1923 novel, Capitol Hill, was featured here back in 2006).
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Fergusson was married at the time, but the two felt enough of a connection that Fergusson eventually divorced his wife and married McCann. Fergusson was working on perhaps his best-known book, Wolf Song (1927), and the couple spent happy weeks in the mountains outside Salt Lake City.

In December of 1927, Fergusson drove down to Albuquerque, where they planned to spend Christmas with his parents, while McCann took a quick shopping trip out to San Francisco. Never having a robust constitution, the trip and the winter weather brought on a cold. A few days after arriving in Albuquerque, it developed into pneumonia and McCann died soon after. She was just 32. Fergusson had her body cremated and scattered her ashes along the shore of Lake Michigan near Chicago.

Covici-Friede collected 1,001 Cheerful Cherub cartoons, along with a short memoir by McCann’s friend, Mary Graham Bonner, in Complete Cheerful Cherub, which was published in 1932. The book was a perennial favorite and was reprinted sixteen times between 1932 and 1945. They also posthumously published a collection of McCann’s poems, Bitter Sweet: Poems, in 1929.

“I’m not trying to reform the world or to make every one smile,” she once told Bonner. “I’m trying to make my little verses human; sometimes they’re sarcastic, sometimes they’re ‘flip.’ They’re cynical, too, and I like to make them about all subjects–including the frailties of the readers….” And of the author, too, as one quickly sees.

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Complete Cheerful Cherub, by Rebecca McCann
New York: Covici-Friede Publishers, 1932

6 thoughts on “Complete Cheerful Cherub, by Rebecca McCann (1932)

  1. Last month, while visiting my son in Urbana, IL, we visited Jane Addams Book Shop in Champaign. I, too, was delighted to stumble upon this delightful book. At first, I hesitated at the $24 cost but in the long run I had sense enough to dig deep. Without question, it simply cannot be judged by its cover! This morning, my luck continued by way of finding this post when I decided to find the back story of Rebecca McCann. Thank you for the wealth of information.

  2. Thanks for the comment. No doubt most people today would have to overcome the immediate reaction of thinking, “Oh, it’s a earlier version of those ‘Love Is’ cartoons.”

  3. I ‘discovered’ “The Cheerful Cherub” years ago; McCann was an artist whose works transcends time. I find copies of Cherub online I don’t know how many copies I’ve given as gifts.
    I think that Rebecca McCann’s life and Cherubs would make a wonderful movie, even with the sad early ending.

  4. My mother introduced me to Rebecca Mc Cann’s Cheerful Cherub. I’ve treasured the book for about 60 years or so. One of my favorite Cheerful Cherubs is “God made the star-hung skies for us and woods and hills and trees and lakes. I guess he made mosquitos too, but everybody makes mistakes.” Or “I’d like to hug the human race, I feel I so adore it. But if I tried this on the street I fear I’d be arrested for it.”
    Thanks for the bio and the love for one of my inherited heroines.

  5. My husband bought this book at an estate sale this week. Excellent condition!
    Loved the introduction by Bonner! I collect and read vintage books. Thank you
    For this article. I will print and save it with my book !

  6. I found a first edition copy of the book from 1927, with a sweet inscription and drawing by McCann in it. Wonderful work. Thanks for the information on this page.

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