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Small World, by Carol Deschere

The fact that Carol Deschere Berendt, mother of John Berendt, author of the best-selling Midnight in the Garden of Good and Evil and The City of Falling Angels, once published a novel, Small World, under her maiden name, would not in itself qualify the book for mention here.

But, as Syracure Post-Standard writer Laura T. Ryan noted two years ago in her blog, Karen DeCrow, a pioneering feminist and one-time president of the National Organization for Women, was passed along a copy back in the late 1970s. DeCrow was so moved by the book that, “… she typed up a 5-page letter and sent it to everyone she knew in the publishing world, hoping to get it re-released.” Ryan quotes from the letter:

Twelve years before publication of The Feminine Mystique by Betty Friedan (1963), Carol Deschere wrote a novel which could have spurred the feminist revolution, had enough women read it. In Small World, a simply written and simply plotted novel, Deschere tells us the story of a bright, educated, and cultured woman who leads the life of a middle-class housewife. Her husband is kind and generous, her children are intelligent and obedient, her home is stylish and comfortable.

Her world, however, is so small that it revolves totally around food, clothing, furniture, and an occasional outreach of interest to music, art, and literature. The novel takes place during one of the critical periods in American history: World War II had just ended, the alliances of nations in the world were dramatically shifting, capitalism as an economic system was being seriously questioned for the first time in a century, and the seeds of the Cold War period were being developed in the United States. Yet Kay Hiller, the hero of the novel, does not deal with these issues, despite the fact that she is both bright and intellectual….

… For women who dream of art, music, literature, and affairs of state there are few alternatives — lovers, suicide, or worst of all, resignation. With the broadening of the small world for women, hopefully novels about Emma (Bovary), about Kay, will become historical documents.

As Berendt himself describes the book in an interview on Barnes & Noble’s website,

The story concerns a family of four living in upstate New York. It’s charming and beautifully written. Carol Deschere, the author, happens to be my mother, and the family depicted in her novel closely resembles our own. The book sold about 2,000 copies and, although my mother never wrote another book, Small World was a life-changing experience for me, because in addition to making me enormously proud of her, it showed me for the first time how real life could be transformed into words and stories and published in a book for all to read. It also planted the first seed in my mind that I might become a writer one day.

Deschere died last year at the age of 92. Small World remains out of print–in fact, a quick search of AddAll.com located a grand total of three copies, at $48, $200, and almost $1,000, respectively. Two reviewers on Amazon remembered it fondly enough to post 5-star reviews of the book, so Karen DeCrow is not alone in hoping that this book may someday find its way to republication.

The Invisible Flag, by Peter Bamm

· Excerpt
· Editor’s Comments
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Excerpt


A man–a human being–is wounded. In the split second in which he is hit he is hurled out of the fighting machine and has become, in an instant, utterly helpless. Up to that moment all his energy was directed forward, against an enemy army stretching across the landscape like an imaginary line, its exact position unknown. So engrossed was he in what went on round him that he was left with no conscious thought about himself. but now he is thrown back on himself: the sight of his own blood restores him to full self-awareness. At one moment he was helping to change the course of history: at the next he cannot do anything for himself.

Hours afterwards night falls. Gray fear envelopes him. Will he bleed to death? Will he be found? Is he going to be hit again? Are the Germans retreating? Will he be captured by the Russians?

An eternity passes before a couple of soldiers drag him a short way back. There, in a shell crater or some primitive dugout, the first outpost of medicine, sits the regimental medical officer. The wounded man is given a bandage, a splint, a tourniquet, an injection to ease his pain. Then he is left to lie around somewhere, wondering again if he will ever be moved. At last he is carried further and eventually put into an ambulance. He finishes up among a multitude of other wounded men, lying in semi-darkness and a fearful silence broken only by the groans of those around him. At long last his stretcher is lifted again. From the moment he comes into the bright circle of light under the theater lamp he ceases to be a mere lump of animate matter and becomes a patient, a man who is suffering. When he leaves the operating theater, the pitiful, dirty, bloodstained creature is once again a human being, cared and provided for.

This small miracle is accomplished with a piece of thin steel which weighs less than a couple of ounces–a scalpel. At its tip converge years of skill and training; a technique developed through centuries of experiment; the immense and complicated organization of a modern army’s medical service. And above it, as it cuts deep to heal, above that little tent in the wood by the Dniester, there flutters beneath the wide Ukrainian sky a small dauntless flag: an invisible flag: the flag of humanity.


Editor’s Comments


Cover of first U.S. paperback edition of 'The Invisible Flag'Peter Bamm’s The Invisible Flag is an extraordinarily well-written semi-fictional memoir of his experiences as a field surgeon with the German Army on the Eastern Front in World War Two. When it was first published in 1956, the Times Literary Supplement called it “a masterpiece,” and the book is studded with passages of stunning prose equal to and even better than that quoted above. Bamm fell in love with the Russian landscape even as he saw it torn up in brutal fighting. One imagines him in company with Konstantin Paustovsky, sharing a drink outside a dacha while they took in the beauty of a summer twilight in the Ukraine.

In the course of the book, Bamm’s duties take him rolling forward across the steppes in the blazing summer of 1941; enduring bitter winters that threaten lives even more immediately than combat; into the hills of the Crimea and the mountains of northern Georgia; and then, with the long retreat beginning with Stalingrad, back through the Ukraine and into Poland and Eastern Prussia. In each place, Bamm notes how nature carries on oblivious of man’s activities around her. He makes us feel the sweat blinding him as he operates under a blazing sun and the bitter winds biting his skin as he trudges through deep snow to reach a rear command post.

He also brings a gallery of characters alive: rugged and ingenious NCOs who regularly manage to locate food, supplies, horses, or wagons for Bamm’s unit, a Wermacht equivalent to the U.S. Army portable surgical hospital; a Russian POW who staggers into the unit’s camp one morning and remains as a helper for the next four years; civilians who display exceptional compassion and generosity even when they’ve lost everything and others who begrudge the slightest favor to their own; and veteran officers who struggle on despite the hopeless of inevitable defeat and the insanity of the Nazi regime.

In real life, Bamm was one Curt Emmrich, a surgeon who had served with the German Army in World War One–a highly educated and cultured man who had traveled the world, spoke French, and quoted Homer and Virgil. His deep pride in his own professionalism as a doctor and soldier is evident throughout the book. He allies himself with other experienced officers and medical men and contrasts his views and actions with those of the S.S. and other Nazi party members. In fact, he refers to Nazis in general as “the others” throughout the book. Bamm and his fellow officers and men appear to hold themselves to a higher moral standard: “The orgy of revenge in which the Dictator was indulging was complemented by an orgy of servility among his creatures. To the soldiers all this was repugnant.”

He does not deny in anyway the atrocities that were going on around him throughout the campaign on the Eastern Front. He recalls Jews being led away to the outskirts of a village, forced to dig a trench, then shot and bulldozed into it. He cites the case of one officer who was imprisoned for taking photos of such an event. He knows that Jews were taken into vans and gassed. He knows that Communists were hunted down and executed. His justification for remaining silent in the face of these actions is merely that it would have been futile to protest. Instead, his focus is on doing his duty as a surgeon, trying to save the lives that pass through his tent–regardless of whether they are German or Russian, Christian or atheist. One presumes no Jew ever made it to his operating table.

Bamm made a conscious moral compromise that weighed his ability to save lives and spare suffering over his ability to interfere with the gross outrages going on around his. One must accept this fact to read The Invisible Flag. Some may not be able to. Within the boundaries of Bamm’s choice, the book is rich in superb descriptive writing:

The whole crawling mass has meandered twenty yards onto the open field to by-pass a dud bomb that lies unexploded in the middle of the road. To left and right the fields are strewn with a weird assortment of stoves, milking stools, bedsteads, radio sets, munition boxes, lamps. It is like the aftermath of a flood. Every few hundred yards is a broken-down vehicle; or a dead horse with a swollen belly; or a corpse. Crows rise with a heavy flapping of wings. Tattered gray clouds chase without pause high above the living and the dead; high above beast and man.

The Invisible Flag received enthusiastic reviews and sold well, both in Germany and in numerous translations, but has been out of print in English since the late 1950s. If another powerful semi-fictional memoir of war on the Eastern Front, Guy Sajer’s The Forgotten Soldier, deserves reprinting and notice despite continuing controversies over its veracity, then there is no excuse for Peter Bamm’s remarkable book being left in the shadows.


Locate a Copy


The Invisible Flag, by Peter Bamm (pseudonym of Curt Emmrich)
London: Faber, 1956
New York: John Day, 1956; Signet (paperback), 1958

Six Lives and a Book, by Claude Houghton

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Editor’s Comments


Even though I found his I am Jonathan Scrivener only a partial success, Claude Houghton’s approach the question of identity was so unusual that I wanted to explore his work further. A few weeks ago, I received a copy of his 1943 novel, Six Lives and a Book, which I had quite honestly ordered for no reason but that I thought the title promised something interesting.

Six Lives and a Book is much more more experimental in its structure than I am Jonathan Scrivener. The first sixty-some pages of the novel are actually excerpts from a fictional work titled The House Not Made With Hands by an author named Oldfield. This novel is set in a residential hotel in London. The narrator, a man named Mavers, encounters the different inhabitants of the house, who range from a good-time, perhaps gold-digging girl to an aging miser. As in I am Jonathan Scrivener, these encounters are usually long conversations in which the two characters seem to probe each other to detect his or her true character, beliefs, or values. But it is on a London bus one evening that Mavers suddenly sees through another man’s public image–literally:

Opposite was an old man leaning forward on a short thick walking stick, who was gazing at me with eyes which might have been concerned with any one of a number of far-away things, but which certainly were not concerned with me. He was a heavy, shabby, lugubrious figure with wisps of dirty white hair escaping under a scarecrow hat. His attitude implied immense fatigue, the face was a record of disasters rather than a human countenance, but, nevertheless, there were hints of stunted grandeur about him–hints which compelled you speculate about this derelict man who leaned on his stick, staring at nothing.

Then–suddenly–I saw this man as he would have been if all his possibilities had been realised. It was as if another man were sitting by his side–the men he would have been if all his stunted qualities had attained maximum growth. And, which was terrifying, there was no doubt whatever that the wreck of a man in the scarecrow hat and the transcendent being by his side were one and the same.

From this moment on, Mavers finds these visions of a person’s potential coming to him again, until he sees the other of six other people in the house he shares. “Every one,” he concludes,

… lives in a strange and haunted house, for our essential lives are concerned with principalities and powers, and our human relationships are a reflection of our combat with those powers and principalities.

And with that, Houghton abruptly switches to the Public Library at Marleham, a small port in Devonshire, where Olga Purvis, during the time of the Blitz. Olga Purvis, a London woman made homeless by the bombing, is staying in Marleham and decides to check out The House Not Made With Hands.

Although a newcomer to Marleham, she has already come to know a number of other temporary residents: a rugged veteran merchant sailor waiting for a new ship after having his last torpedoed; an heiress grieving her lover, an RAF ace recently killed in combat; a radical; a charity organizer also displaced by the Blitz–six in all, just as in the novel.

And just as in the novel, these characters meet, talk, clash and find common bonds. The borrowed copy of The House Not Made With Hands circulates among them. Each has some revelation about his or her true desires or concerns while killing time in this sort-of limbo. In the end, each leaves Marleham for a new destination or undertaking–with a truer understanding of himself.

Or at least I assume so. Frankly, as in Jonathan Scrivener, I found that Houghton is either too subtle in his dialogue for a clod like me to pick up his nuances or just plain obtuse. At the end of Six Lives and a Book, the most interesting character, a nameless, brutish man (not one of the six) who haunts Olga, playing an erotic cat-and-mouse game with her,is about to return the The House Not Made With Hands to the library when he thumbs through the book and comes across the two passages above. He recalls Olga reading them to him. “But then,” Houghton adds, “there had been another entry [in her diary] which she had not read. She had exclaimed: “No, It’s not that! I know that’s nonsense!”

When I read this, I began to wonder if Six Lives and a Book wasn’t just some great shaggy dog tale. I have to admit that I had been hooked early on and kept reading, expecting to come to a climax in which connections among the characters or some event lead to a dramatic revelation … only to wind up with “I know that’s nonsense!” Even now, as I run through the book again for this piece, I half-believe the joke was on me. I find it a little hard to believe, when as reliable a source as the critic and lexicographer Eric Partridge considered it one of Houghton’s best.

But then … having compared Jonathan Scrivener to the works of Paul Auster, particularly his New York Trilogy, it occurs to me that some people think those novels are shaggy dog tales, too. It takes a good storyteller to carry off an effective shaggy dog tale, because the key is to draw the reader or listener along to the point that the narrative pull overrides one’s better judgments.

So is Six Lives and a Book a glimpse into men’s true souls? Or just a bait-and-switch?

Read it and draw your own conclusion.


Locate a Copy


Six Lives and a Book, by Claude Houghton
London: Collins Publishers, 1943