Sibyl Sue Blue is an undercover cop who wears chartreuse mini-skirts, rouges her knees, smokes cigars, and knows how to take the wind out of an obstreperous Centaurian with a quick sledge-hammer swing of her handbag. Nearing forty, she’s passing as the girlfriend of a high schooler, thanks to a wig, cheek pieces and an occasional dab of skin-tightening cream. Though she carries a torch for her husband Kenneth, who was lost on a failed expedition to the planet Radix some years ago, she’s ready to go after the right man, if she finds him attractive. She reads Thucydides in original Greek while grabbing a quick sandwich for lunch. And she’s a single mother trying to raise a high schooler herself while keeping the streets clear of benzale dealers.
Sibyl Sue Blue can be sold as a long-forgotten cross between Barbarella and Modesty Blaise. It’s fast, violent, sexy, and adventurous, the sort of thing that could easily be translated into a camp but savvy film. There are fights and plenty of them–Sibyl is a walking poster girl for proactive self-defense. There’s a wild ride through a spooky night, with Sibyl and a cohort clinging onto the roof rack of a speeding car. There’s a space ship trip to Radix, during which Sibyl falls in and out of love with its billionaire playboy captain.
And there is a relatively effective attempt to depict a planet-encircling organic intelligence, something Stanislaw Lem had already done in his as-yet (in 1966) untranslated masterpiece, Solaris. But the promise of the novel is undermined by too much scope stuffed into what is basically a whodunnit with exotic trappings. Brown rushes to bring her story to an end in under 200 pages and left out more story construction material than might be safe. Imagine watching Barbarella on fast forward and you might get the idea. A narrative shouldn’t go so fast that the reader is left somewhere between disoriented and disinterested.
Sibyl Sue Blue was Rosel George Brown’s first novel and was originally published as part of Doubleday’s science fiction series. At the time, Brown was living in New Orleans with her husband, Tulane history professor W. Burlie Brown, and their two boys. The couple had met while Rosel was studying Greek as an undergraduate at Sophie Newcomb College, which was associated with Tulane.
Brown began writing short stories in the late 1950s, publishing her first, “From an Unseen Censor,” in Galaxy magazine in 1958, and went on to publish nearly two dozen in similar SF magazines over the next six years. A selection of these were collected in A Handful of Time in 1963. She collaborated with Keith Laumer on Earthblood (1966), and followed soon after with her own Sibyl Sue Blue. Unfortunately, she died less than a year later of lymphoma. Her husband assembled material for a second Sibyl Sue Blue she had been working on prior to her death and sold it to Doubleday, which published it as The Waters Of Centaurus in 1970. One of Brown’s early short stories, “Step IV,” is available online at Project Gutenberg (link).