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The Poppy Factory (AKA No Man’s Land) by William Fairchild (1989)

Cover of The Poppy Factory by William Fairchild

This is a guest post by the novelist Cliff Burns.

Back in the 1990s, I was browsing my way through an independent bookstore in Saskatoon (now, sadly, defunct) and came across a title I hadn’t heard of, by an author whose name was unfamiliar to me.

I’ve always been drawn to war novels (I’m something of a history buff) and this one had, as its backdrop, the grim, bloody trenches of the First World War. I read a few paragraphs and decided to purchase The Poppy Factory, a leap of faith that paid big dividends as the book remains a favorite to this day.

It impressed me to such an extent that, some years afterward, when I was guest at a science fiction convention in Vancouver, I brought up The Poppy Factory during a panel of on “Neglected Books” that also included my Canadian colleague Spider Robinson.

No one in the audience recognized the book, so I stoutly defended its literary qualities, at one point cracking open The Poppy Factory, reading an excerpt from about thirty-five pages into the novel. The protagonist, Captain Adrian Garrard, is lying in “no man’s land” after an abortive attack. Wounded, semi-delirious, at first he can scarcely credit his senses:

I shall never find peace in the moonlight again, only fear, because it was then I saw the first of them.

It appeared over the lip of the crater, crouching on all fours, its black head twitching rapidly from side to side, sensing danger, scenting prey. It began to crawl through the mud toward me…

… I heard the sickening, sucking sound as its legs drove it closer and closer through the clinging mud and could not look. And then I heard laughter. Harsh, grating, wild, only just recognizable, but laughter.

I forced my eyes open.

The creature had risen onto its rear legs and, still bent forward, was clutching my revolver between its forepaws. Only they weren’t paws, they were earth-blackened hands, and the creature was not an animal but a man, his head shrouded in a cowl of filthy sacking, his clothes blackened rags…

…I lay still, feigning death. The claw-like hands ripped at my clothes. Perhaps this was death….

The reaction to that reading was most gratifying. I could see people writing the title down for future reference.

William Fairchild, with Simone Simon (L) and George Baker (R) on the set of <em>The Extra Day</em> in 1955.
William Fairchild, with Simone Simon (L) and George Baker (R) on the set of The Extra Day in 1955.

My investigations over the years uncovered some biographical details about The Poppy Factory’s
author, William Fairchild. He served in British Naval Intelligence during World War II, and subsequently enjoyed a fairly lengthy and successful tenure in the British film industry, scripting and directing a number of movies. His best-known efforts were Malta Story, featuring Jack Hawkins, and Star!, with Julie Andrews.

So, it shouldn’t be surprising that there’s a strong cinematic feel to The Poppy Factory; visually it’s quite evocative and compelling. As part of his research, Fairchild personally toured the Ypres battlefield in Belgium, spurred by a rumor (I’ve never been able to confirm its veracity) that at one point in the conflict two hundred men from both armies lived underground between enemy lines.

William Fairchild died in 2000 at the ripe, old age of eighty-two.

Sadly, he never lived to see his novel translated to the big screen.

But it’s never too late to rectify that oversight….


Cliff Burns has been a professional author since 1985, with 15 books and scores of published short stories, essays, reviews and poems to his credit. He lives in western Canada with his wife, artist and educator Sherron Burns. He also writes the Beautiful Desolation blog.


The Poppy Factory, by William Fairchild
London and Toronto: Bloomsbury Publishing, 1987
Also published as No Man’s Land in the U.S. by Bantam Books, 1988

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