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Peter Greave’s Secrets

Gerald Wilkinson and his parents, Bombay, India, 1914.
Gerald Wilkinson and his parents, Bombay, India, 1914.

I first came across Peter Greave in a battered Penguin paperback copy of his 1977 memoir, The Seventh Gate, that I’d found at the Montana Valley Book Store, a marvelous storehouse of books in the little town of Alberton, Montana. The Seventh Gate has the grim fascination of a car crash. Born in Bombay in 1910, Greave spent his first years in the comfort of a villa surrounded by a lush garden and cared for by Indian servants. That haven was soon destroyed, however, by his father’s predilections. It wasn’t just that his father (who is unnamed in the book) was a swindler, he was also a chronic exhibitionist. He would ask his wife to play something on the piano to keep her occupied while he strolled out to their porch and exposed himself.

Greave’s childhood was punctuated by abrupt moves as his father fled the police and creditors or pursued ever-riskier ventures. In late 1918, the family sailed from India to New York City on a ship called The City of Lahore to make a fresh start. The voyage was not smooth: the ship was quarantined at Cape Town when influenza broke out among the crew; then the Hindu and Chinese seamen began fighting and one man was thrown overboard. Twice German submarines tried to torpedo her. Then, hours after the family disembarked in New York, the ship caught fire and sank at pierside.

Advertisement for the 1921 Dixie Flyer.
Advertisement for the 1921 Dixie Flyer.

Greave’s father tried to set up an import/export business. It failed. Then he took off for South Africa hoping to sell Afrikaners a new American automobile called the Dixie Flyer. Greave’s mother and the three children were left freezing in a tenement flat in Brooklyn. Unfortunately, the car had a tendency to stop running, usually far from a garage. The father returned and took the family back to India again. This time he started a sporting newspaper; it too proved a failure. Then he set up a lottery scheme that proved another scam. He was convicted of fraud and sent to jail.

Greave’s mother fell ill of cancer. As he writes in The Seventh Gate, the family fell apart “like an old trunk eaten by white ants” — his sister sent to a convent in Calcutta, Greave and his brother to a derelict school in Darjeeling. Desperate for a home, Greave ran away from the school in the spring of 1923. Alone and almost penniless, he traveled eight hundred miles — walking, train-hopping, stowing away on a boat — to a remote town in East Bengal. There he persuaded a kindly woman he barely knew to take him in.

Cover of the Penguin edition of The Seventh Gate.
Cover of the Penguin edition of The Seventh Gate.

By the time Greave was a young man, he’d become accustomed to life on the fringes of Anglo-Indian society. With his sketchy education and lack of connections, he took whatever work he could get. He sold gramophones; he sold refrigerators; he sold coloured enlargements of family photos for a firm that rarely delivered them. He spent most of his time reading, going to movies and getting drunk: “I lived like a nomad, moving from one city to another, existing in seedy hotels or in shoddy rooms.” His father reappeared. The two often shared the same rooms and pooled their meagre resources. Then one day in 1938 while shaving, Greave noticed a reddish bump on his forehead. Others appeared on his legs and buttocks. A doctor diagnosed food poisoning: “You’ve been eating some muck from the bazaar.” New symptoms joined the skin lesions — numbness in his right hand, pain and cloudiness in his eyes.

Finally, he went to an Indian hospital in Calcutta, where he was diagnosed with leprosy in August 1939. Hearing this news, Greave “realised instinctively that I had crossed a frontier from which I could never return.” He spent the next seven years in squalid Calcutta flats, living off handouts, an occasional cheque from his father and the kindness of a few Indian friends. With India being torn apart in the conflicts over Partition, his existence grew more and more tenuous until he received a letter from a doctor with the British Empire Leprosy Relief Association. The doctor offered him free treatment at St Giles, England’s last operating leprosy clinic, outside Chelmsford. Greave managed to obtain a berth on the Franconia, a ship carrying British Army troops and their families away from the embattled former colony. The Seventh Gate ends in August 1947 as Greave stands on the deck, his last view of India slipping over the horizon.

The story that followed was told in Greave’s first book, The Second Miracle, published in 1955. His first miracle was making it to St Giles, where through slow and painful drug therapy, his leprosy was cured. The second miracle referred to in the title was his spiritual recovery. Greave wrote in the brutally honest tradition of Rousseau and Stendhal that considered hypocrisy as the greatest of all sins. While he hid away from the world in his room in Calcutta, Greave had come to see his disease as a mark of “the guilt of a thousand generations of twisted minds, and of bodies thirsting for decay.”

The Homes of St. Giles, the last clinic in England for the treatment of leprosy.
The Homes of St. Giles, the last clinic in England for the treatment of leprosy.

The Second Miracle takes the reader not only through the physical ordeal of Greave’s treatment for leprosy but also his realisation that he — not his doctors and not God — was responsible for what he made of his situation. In the end, he went from slinking through his days “sunk in lethargy” to an attitude of joyful penitence — of saying in his prayers, “Thank you — give me more.” This attitude would be crucial to Greave’s acceptance that, despite being cured, his leprosy had left him with such severe damage to his eyes, nerves and muscles that he would remain at St Giles, dependent on its care, for the rest of his life. It fills the two otherwise grim books with vitality, wonder and hope.

Years after I posted pieces about The Seventh Gate and The Second Miracle, I was contacted by Josephine, a woman living in Herefordshire. Josephine had been given Peter Greave’s journals by a friend. Greave had left them to the secretary at St Giles and through various hands they made their way to her. Having been born and raised in India, both Josephine and her husband had a keen interest in materials related to Anglo-Indian society. She also informed me that Peter Greave’s real name was Gerald Carberry, though she had no idea why he’d chosen the pseudonym.

In June 2019, I arranged to visit Josephine and look through the journals. When I arrived, she showed me into her dining room. There on the table sat an old fruit crate filled with what looked like two dozen or more well-used school notebooks. Josephine had marked the dates covered by each — the earliest starting in January 1937, the last in late 1969.

The first entry in Gerald Carberry's diary, dated 11 January 1937.
The first entry in Gerald Carberry’s diary, dated 11 January 1937.

Not knowing what I would find, I hadn’t planned how to use the few hours I had. At first, I skipped through entries almost randomly, photographing pages with my phone. In the earliest entry — 11 January 1937 — he was miserable. “Nothing to read, nothing to do, and no money. And a god-damned toothache.” He was rooming with his father — “H,” for Herbert Carberry — who is also broke but working on some suspicious deal: “I’m sick of his strong silent man act.” And he was frustrated with a woman he referred to as “C”: “It’s like her to start her stuff when I’m in a worse corner than usual.” I jumped forward to the 1950s, where he reported his progress in writing The Second Miracle, worried about publishers and critics, exulted when BBC Radio invited him to appear. In the journals from the 1960s, the handwriting grows larger, looser and more difficult to decipher. Fears about losing his sight came to dominate the entries.

Pages from Gerald Carberry's diary.
Pages from Gerald Carberry’s diary.

I soon began to focus on references to “V.” The initial first appears in the entry of 5 June 1948, the first since his arrival in England nine months earlier. V appeared to a nurse at St Giles. “V was anxious this morning, and behaved with less than her usual sense,” Gerald wrote.

By August, she had left the clinic and he went to see her in London. They saw Oklahoma at the Drury Lane Theatre, sat together in a bar full of visitors to the Olympics and, near midnight, went to V’s room. They “experimented with passion,” but he confessed, “I felt little real desire.” “She sensed it almost immediately and was, I fear, hurt and disappointed.” And yet she begged him, “Can’t we be married?” He quickly gave in. On 9 September 1948, he wrote, “I’ve done it! What the blazes it will lead to I don’t know.” Just a few lines later, he wondered if the marriage can be annulled but feared the resulting publicity “would immediately finish me.” He hadn’t told anyone at St Giles aside from “M,” a fellow patient and confidant.

Armed with the date of the marriage, Josephine and I searched on a genealogical website and confirmed that Gerald Carberry and Violet Wood married in London in September 1948. This fact — indeed Violet’s very existence — was never mentioned in The Second Miracle. It seemed from the diary that Gerald and Violet rarely lived together — there are notes about sharing holiday cottages, but also entries where he fretted about not receiving letters from her.

Then, in an entry dated 26 September 1964, he wrote, “10 months since Vi died.” In the following pages he wrote multiple versions of the days leading up to her death: “And so, when I returned to your room it was all over …”; “It must have been around eleven on the night of 25 October 1963 that I learnt she was going to die”; “She died on the morning of the 5th of December.” It was as if he hoped to appease grief by achieving the most precise record of her death. Yet the sense of loss remained. In one of the last notebooks, from December 1966, one line appears on the inside cover: “My dear Vi, I miss you so very, very much.”

A note from 3 December 1966: “My dear Vi, I miss you so very, very much.”
A note from 3 December 1966: “My dear Vi, I miss you so very, very much.”

As I later read through the hundreds of pages I’d photographed, it became clear that Violet was not the only secret Gerald Carberry had kept from the readers of Peter Greave’s books. In trying to reconstruct Gerald’s story through further research, I discovered that Carberry was also a pseudonym. Gerald Carberry had been born Gerald Wilkinson and christened at St Teresa’s Church in Kolkata on the 11th of November 1910. His parents were listed as Herbert Reginald Wilkinson and Katherine Margaret Wilkinson, nee Tighe.

His father had been born in Manchester and enlisted in the 1st (Kings) Dragoon Guards at the age of 16 in 1899. After service in the Boer War and Aden, he made his way to India. When he married Katherine Tighe, whose father had been a police commissioner in Bombay, in 1909, Herbert Wilkinson’s profession was listed as “merchant’s assistant.” The job must have involved some travel, because a few months before Gerald’s birth, Herbert was arrested and fined in Adelaide, Australia for indecent exposure.

Herbert Wilkinson's arrest for indecent exposure, Adelaide, Australia, 29 June 1910
Herbert Wilkinson’s arrest for indecent exposure, Adelaide, Australia, 29 June 1910.

Sometime after the family’s return to India in 1922, Herbert Wilkinson changed his name, because the Times of India article about his conviction for “cheating and abetment” identifies him as “Herbert Carberry, alias Wilkinson.” The rest of his family went along and Gerald began Gerald Carberry, the name by which he was known outside of his books.

Greave had also taken liberties with some of his characters. In The Seventh Gate Greave wrote of his sexual relationship with a woman he called Sharon. Sharon was clearly the “C” of Gerald’s diary: “C and I spent hours together yesterday;” “With C all afternoon.” He was deeply affected by her: “Another of C’s moods worked off on me;” “Struck cold by something C said.” According to the book, Sharon married, left India in 1946 and was killed in a traffic accident soon after arriving in England.

In the diary, however, C remained alive and part of Gerald’s life into the early 1960s—despite his marriage to Violet. He wrote of meeting her. In 1951, he quoted from one of her letters: “For God’s sake, come to me Gerald; come to me before I lose my sanity.” From some of the clues in the diary, I was able to identify “C” as Catherine Rowland-Jones. Born in Bombay in 1914, she married Owain Rowland-Jones, a ship’s captain, and left India for England not long before Gerald’s own departure. Living in Kensington after coming to England, it would have been easy for her to meet with Gerald, who appears to have come to the city often by train from Chelmsford.

An excerpt from the diary entry for the meeting with "Mac", November 1966
An excerpt from the diary entry for the meeting with “Mac”, November 1966

After Vi’s death, yet another woman appears in the diary: Mac. In a long entry from November 1966, he wrote of meeting her at the Liverpool Street station in London, after which they spent a long afternoon in the bar of the Great Eastern Hotel. “For the first hour her behaviour was relatively subdued, but as one double vodka after another disappeared her voice and her spirits rose disquietingly.” She plied Gerald with drinks, insisted he kiss her, implored, “Will you marry me?” She may have been another nurse from St Giles, as she speaks of her impending departure for “that big hospital in Barnsley” (Yorkshire). He referred to her apprehensively as “Mac the Knife.”

By this point, however, sight was his biggest concern. From the early 1940s, the effect of leprosy on his sight had been a constant worry. “I just don’t know what to do with these bloody eyes”; “Eyes killing me again”; “I feel blindness hovering over me.” At times, he couldn’t focus or bear bright lights. In the 1960s, there were repeated visits to the Royal Free Hospital for operations. Each time he wondered whether he would wake up from the anesthesia and find himself blind. In the next entry after his meeting with Mac, he writes, “The world becomes increasingly foggy and indistinct. All I see is seen darkly even at noon when the sun shines brightly.”

The last diary entry in Gerald Carberry's handwriting, 30 December 1966
The last entry in Gerald Carberry’s handwriting, 30 December 1966

His ability to see became intertwined with his will to live. “Long ago I made up my mind that when it came to this, I’d say, OK, enough,” he wrote in late November 1966. “But already I may have lost the power to act, to conclude the final chapter.” The last entry in his hand is dated 30 December 1966: “Almost certainly my last entry. No sight left — can’t read, can’t write. At last I’m ready to say — I don’t want to live anymore.”

After this, the remaining pages are blank. The next journal opens in early 1967. The handwriting is new, a precise secretarial copperplate: Gerald’s dictation, taken down by the secretary at St Giles. Occasional passages are written in Pittman shorthand: other secrets to be revealed, perhaps.


This is an expanded version of a piece included in Secrets & Lives: The University of East Anglia MA Non-Fiction Anthology 2020.

A Game of Ping Pong, from The Second Miracle by Peter Greave

Athough to a casual observer we were engaged in a game—just two men, partially blind, partially crippled, knocking a small white ball about in a singularly unsportsmanlike manner—to us these matches were infinitely more significant. These contests were a kind of ritual. We were not so much engaged in a game of table tennis as bent upon the destruction of a rival. The game was only the channel through which we expressed the contest of wills that went on perpetually between us.

For from the first, in spite of the affection that existed between us, we were natural and instinctive enemies. We each tried to beat the other all day in everything we did. We were perpetually at war, perpetually at each 0ther’s throats. The essence of our odd relationship was discord. We were never happy out of each 0ther’s company, but we only stayed together because each hoped to down the other permanently.

And this permanent stream of competition had to find an outlet somehow. A couple of hundred years earlier and we would undoubtedly have set to with swords. If we had not been bound by hospital discipline we would have punched each other’s nose. But as it was, we played table tennis, using the game as an expression of the rivalry that held us together, so that our daily matches became epic battles, the results of which could depress me utterly or lift one to victorious pinnacles of joy.

We generally began by playing a couple of ragged sets as a kind of preparation. The score was always kept, but we would both realize that the real trial was to come. I would drive as hard and as fast as I could, and Brian would chop and spin the ball so that it leaped and spun like a dancing dervish.

Considering our ruined sight that made reading and writing so difficult as to be almost impossible, it was amazing how well we could follow the flight of the ball against its dark background. I think the secret lay in the brilliant overhead lighting that lent the ball a shining iridescence.

When the practice games were over, we took a deep breath and began the real contest. We were amazingly evenly matched, and die games generally followed a definite pattern.

We always played the best out of five sets. He would usually win the first and I the second. He would draw away with the third, and at the fourth I would pull level, so that the score would stand at two all, and the next set decide the game.

At this stage the tension would be terrific. Now that the pressure was on We would both pull out everything we had, and I, though I had lost a great deal of my speed and accuracy, was still capable of executing one shot that, when I was allowed to get it in, was both dramatic and effective. I could smash a ball with a forehand drive so that it was almost impossible for my opponent to return it, leaping into the air and following it through so that I spun round and round like a top. This gave me intense pleasure and, I believed, never failed to fill Brian with envy and dislike.

But, and I make the admission with extreme sadness, for every one of my tricks Brian had at least two. He could cut and feint and volley, and the ball under his direction seemed to possess a satanic life and energy of its own, so that I, with a sensation of black despair nagging at my vitals, would be forced to watch him piling up the points that seven times out of ten would bring him to victory by a narrow margin.

It was not that I was completely outclassed. I could always extend him thoroughly. But the fact remained that I was up against a superior player, one whose natural flair for the game was better than my own.

I found this extremely galling. It destroyed an integral conviction about myself. I felt that I should beat him, that I could do so if only I could put an ounce or two more effort and determination into the game; and so I would grit my teeth, roll the stuff of my will into a hard, compact ball and play with demonic concentration, launching an attack with every atom of energy I possessed. But even so, though I beat him at times—occasionally I would win three or four times in succession——more often than not he would feint and maneuver his way to ultimate victory. I am sure that I put more of myself into these absurd matches than I have ever brought to any other purpose in my whole life, and that if God had wanted to hurry up our cure He could hardly have found a better method than by putting the two of us together at this stage of our development.

We were so nearly matched, the rivalry between us so violent, that it was impossible for us to sink into a slough of inertia and self pity. We were obsessed by a resolve, an unflinching intent, and this acted as a continual spur and challenge and was of inestimable value to our health, even though the resolve was nothing more admirable than the determination to beat a brother, to humble him and tear him down.

The Second Miracle, by Peter Greave

secondmiracleThumbing through Peter Greave’s 1976 memoir, The Seventh Gate, in preparation for my short video piece on five neglected memoirs, I was reminded what a wonderful writer he was, and decided to locate a copy of his first book and give it a try. The Second Miracle, published in 1955, is Greave’s account of his time as a patient in a small clinic in England run by Anglican nuns–the Community of the Sacred Passion–for the treatment of leprosy, now usually referred to as Hansen’s disease. The clinic, St. Giles Home for British Lepers, located in East Hunningfield, near Chelmsford, Essex, was the last institution in England dedicated for the treatment of the disease.

Greave earned a place in the home while hiding away in a room in a decrepit boarding house in Calcutta, an experience he describes in The Seventh Gate. An unexpected windfall from his father allowed him to book a passage to England on a merchant freighter. For Greave, leaving India and gaining a hope of proper treatment was his first miracle. The second, he hoped, would be for him to walk out of the clinic cured, a healthy man.

The book opens with his long ride in the back of a cab from a Liverpool dockside to the home. His nerves worn raw from eight years of painful and lonely existence in India, he finds himself contemplating suicide even as the cab nears his destination:

I was in a state not far removed from insanity; it would not have been correct to describe me as a youngish [he was 38 when he arrived at the hospital in 1947] man who was sick. I was sick, but I was more than that; I was a perambulating mass of fear. Because of my fate I felt that I had lost the status of human being, that I stood outside the bounds of human pity; and the fear of something unimaginably horrible happening to me, once my condition was known, had become part of my mental make-up. And yet in a way this fear was my own choice; I had deliberately accepted it as the price of freedom. For eight years I had clung to the outskirts of life; crouching in my corner I had feasted my eyes on its radiance and gaiety; and though it had meant hiding like a criminal I had managed to retain my identity.

I dreaded beyond words the possibility of being shut away, of becoming a number in a hospital ward, of forfeiting even the nominal rights of a human being. To be shut up was a death sentence, and yet it was worse than that; it was a sentence of life without any of the ingredients that make life bearable.

It takes Greave some weeks to adapt to his new circumstances and begin to feel safe. The physical comforts–a room of his own, a comfortable chair to sit in, a soft bed to sleep in, windows from which to look out to the surrounding fields, three warm, nourishing meals a day–break down his resistance first. Then the genuine concern of the sisters and physicians for his care, and the companionship of his fellow patients helped him lose his sense of isolation. And after suffering years of painful and pointless injections into his scars, his disease began to respond to treatments with the new drug, dapsone.

The most difficult part of his recovery, though, is spiritual. In the time that he hid away from the world in his room in Calcutta, Greave had come to see his disease as a mark of “the guilt of a thousand generations of twisted minds, and of bodies thirsting for decay.” At the home, among other sufferers, he felt a release–“one of the the main ingredients in that shining peace I had prized so much.” With the successful treatment of his leprosy, “… all this was to be taken from me. I was to be flung back into the world of ordinary men, my body healed but bearing the taint of my guilt-haunted mind.” “I stood like a diver on a high springboard,” he writes, “looking down into the dark, greedy waters into which I soon must plunge, and knew that I was terrified.”

In the end, it is the Sisters who guide him to the cure for his soul as well as his disease. In a moving closing scene, in which he watches three of the novices he’s come to know take their voes and prepare themselves to leave on their missions to Africa, he finds a way to let go of his fears and entrust his fate to God.

The dust jacket copy sets up The Second Miracle as a story of Christian redemption, but there are few direct religious references or scenes in the book. What there are, instead, are many passages of beautifully written, closely observed, and sympathetic prose. This is some of the best writing I’ve come across, and I will be excerpting a least a couple of passages in succeeding posts. Here is a short one, recalling the last days of one of the elderly patients:

But although the gap left by that massive, bent figure with the wheezing chuckle and shoulders draped in a faded green shawl was a real one, it was surprising how quickly he seemed to slip out of the general mind. For a day or two there were comments on his absence and inquiries as to his progress, and then he appeared to be lost sight of in the space of gossip and small personal spites and ambitions. It struck me as extraordinary that a man could so rapidly drop out of the circle and be forgotten by the rest, vanish and be as though he had never existed; but it struck me that perhaps this apparent callousness was due not so much to heartlessness as to an unconscious instinct for self-preservation. It was necessary for us to forget, to put out of our minds and utterly discard, anything that could remind us of the tenuous uncertainty of our hold on life. We all knew, though probably we scarcely admitted the thought even to ourselves, that we were little more than a hair’s breadth away from a similar defeat, and consequently we focused all our powers upon the struggle for survival, without a backward glance for those who were unable to keep their foothold upon the uneasy tightrope of existence.

While staying at the home, Greave began to write and publish for the first time, and for this we all owe the sisters a debt of gratitude. After leaving the home, he married and was able to make a living as a writer. He published articles in various magazines, wrote The Second Miracle and several novels–all out of print–and a further memoir, The Seventh Gate, in 1976. He died in 1977 at the age of 68.


The Second Miracle, by Peter Greave
New York: Henry Holt, 1955

The Seventh Gate, by Peter Greave

Cover of Penguin edition of The Seventh Gate by Peter Greave

As recounted in his 1976 memoir, The Seventh Gate, Peter Greave’s life up to his mid-thirties was one no reader could envy. Born in Calcutta in 1910, he enjoyed a few years of privileged childhood as his father climbed the ladder of business success with an English merchant trading firm in India.

But by the time he was about to start school, he found himself on a tramp steamer on a slow and trouble-filled voyage to New York City as his father took the family off in search of a fresh start. His father, as Greave later learned, had run through a string of failed business schemes, insulted or stolen from much of proper society in Calcutta, and been bankrupted and politely asked to leave the country. He had also, as Greave only came to understand slowly and obliquely, been on the verge of being jailed as a chronic exhibitionist.

With utterly no connections in America, Greave’s father still manages to persuade another English firm to bankroll him in a venture to sell a now-forgotten car, the Dixie Flyer, in South Africa. His tiny stipend forces Greave’s mother to find ever-worse lodgings in ever-rougher parts of New York City. His days were spent avoiding, battling with, or being chased by gangs of young boys “engaged in continuous warfare.” At one point, she fell ill and the boys were taken into the city’s foster care system, spending weeks in a bleak orphanage stuck in the midst of a grey forest. His mother prayed for her husband to return and rescue them.

Instead, he returned accused of having blown through $600,000 in South Africa, and antagonized the Afrikaaners, and run off to the Congo with a black mistress in search of a lost mine. So he took his family off again, back to India on another cheap passage. Greave and his brother were enrolled in a threadbare boarding school where a schoolmaster straight from Dickens loved to beat morality and Catholic virtues into the boys.

Used to running wild in the streets of New York, Greave found the school intolerable and engineered an escape. Smuggling himself onto trains and ferries, hiding from the police, stealing food and finding unexpected support from an occasional Indian, he made his way from the Punjab to the far reaches of Assam. There, he enjoys some months of refuge, peace, and unsupervised play in the jungle from a friendly American couple he had met on ship.

The rest of Greave’s childhood was spattered with brief family reunions, more troubles due to his father’s grifts and sexual addiction, and a variety of poor excuses for schooling. With such an upbringing, it’s not surprising that his own experiences as a young man involve hopping from one job to another, great bouts of drinking, gambling, and whoring, and barely managing to exist on the fringes of Anglo-Indian society.

Then, sometime in his late twenties, he noticed a spot on his face. It stayed for weeks, growing slowly, and then was joined by similar spots on his legs and buttocks. He finally heads to the public hospital in Calcutta, where an Indian doctor calmly informs him that he is suffering from leprosy.

Over the next seven years, Greave spent much of his time holed up in a tiny, squalid room in a boarding house. One eye was blinded by the disease, the other nearly so. Only the tenderness of his lover, a beautiful but wayward Anglo-Indian girl rejected by both races, and an incredible forbearance and patience on Greave’s part, got him through. Finally, in 1946, a letter came to him out of the blue with an offer to take for him for free in a special clinic back in England. Greave tracked down his father–still concocting schemes in India–and begged enough money to pay for his passage. Scraping through the medical inspection, he got on board and set sail, never to return to India.

This is a pretty grim story. I suspect few reading my synopsis would imagine The Seventh Gate as anything but a study in black and more black.

Yet Greave (who died in 1977) seems to have possessed a spirit made of pure stainless steel. In the most degraded and dehumanizing situations, he managed–at least in reflection–to have been able to latch onto the tiniest bits of sunlight. Yes, he was trapped in some god awful boarding school run by a sadist–but he could always escape for a few moments:

Pacing endlessly across the wet, deserted playing field, I forgot the shoddy classrooms and the soaring, aloof grandeur of the Himalayas, and returned to those happy months when I had been free to wander beside the waters of Bombay harbour. Soaked in dazzling sunlight, the smell of the sea in my nostrils, I saw again the white sails of the dhows as the wind carried them towards Africa, and mingled happily with the cosmopolitan crowds that drifted beside the waterfront.

The cover of the Penguin paperback edition of The Seventh Gate shows a bright orange sun shining across some Indian river, and despite the many hardships Greave recounts, this is one of the sunniest books I’ve ever read. It may be that in having had so little, having been able to take so little for granted during his childhood, Greave simply developed an extraordinary capacity for acceptance and finding life and humor in the most dismal situations.

It’s also a book rich in description, with remarkable scenes, such as the one where Greave stumbles across a pack of vultures in the middle of the night as he escapes from school. I found it a little like David Copperfield, where you keep turning the pages wondering what worse trouble the young hero was going to face in the next chapter. I zipped through it in the course of a single flight back from the U.S..

Although Greave was cured of leprosy once safe in the English clinic, the disease permanently weakened him and his blindness eventually became complete. Despite this, he managed to write, starting with his 1955 memoir of his cure, The Second Miracle. He wrote several plays and novels and appeared as a monologist on BBC television and radio. He lived in the clinic where he was treated, the Homes of St. Giles, until his death.

A thoroughly rewarding reading experience. Let’s hope John Seaton at Faber Finds adds this to his list.



The Seventh Gate, by Peter Greave
London: Maurice Temple Smith, Ltd., 1976